An Exhibit was running at the Presbytere by Jackson Square, this was a garage door from the post-Katrina disaster. The markings indicate how many bodies, surivors, etc were found by the crews. |
Susan Cowsill @ French Quarterfest River Stage |
I am only recently returned from my annual pilgrimage to New Orleans, and it seems that every year when my Better Half and I leave this welcoming haven of the Deep South, we leave those who reside there facing yet another monumental challenge to their very survival. Last April it was British Petroleum’s carelessness and greed that left the fishing industry of the Gulf dealing with another type of flood: the 100,000,000 gallons or more of crude oil that came gushing into their water from a broken well cap deep on the sea floor. This year we are not yet back a month before the swollen Mississippi begins to threaten homes and habitats along its course south to the Delta. Floods, storms, and man-made disasters in apocalyptic proportion rain down on these people as frequently as the change of seasons. They are a people who have been relentlessly assaulted and yet, like Job, they rise again and again to meet these challenges. Every year they greet us with smiles on their faces, despite the odds.
Mardi Gras Indian |
Selfishly, I give thanks every day that they did survive. They survived Katrina and began promptly rebuilding New Orleans. They survived BP and are still serving the best barbequed shrimp known to man. They survive and they make music. Every day.
Street Singer at Quarter Fest |
The Crescent City is a place of legend. It possesses a history rich with tradition. It is unique, its culture a derivative result of perhaps the most unusual combination of cultures to be seen anywhere on this planet. French aristocrats, freed slaves, Spanish conquerors and Canadian peasants each brought their unique perspective to the cultural mix. Mingling and uniting over centuries to produce a plethora of ethnological traditions that combine seamlessly to create the marvelous atmosphere of great food, music and artistic expression we have all come to associate with New Orleans. Religious beliefs incorporating the practices of Catholicism, Voodoo, and slave-spiritualism eventually produced wonderful festivals like Mardi Gras and St. Joseph’s Day. A place where music is legend, the origins of that music are yet another remarkable lesson in evolution. Traditional Gaelic folk songs and fiddle work were re-interpreted by French Creole settlers, morphing into the resultant Zydeco. The West African rhythms heard in the soulful drums and jubilant dancing of freed slaves in Congo Square mingled with the mournful clarinet of the classic European musicians in an Uptown quartet and American Jazz was born, changing the face of American music forever. Another example of the never-ending lagniappe that N’awlins offers up to the world at large.
Mississippi Steam Boats still cruise the mighty river |
A city of mythical proportions, yet it retains a natural, earthy charm. Enriched by so many vivid cultures, New Orleans seems to recognize the part of each of us that belongs to her, our differences, our individuality. Her parties are not about indulging in excess so much as to put us in touch with the abandon with which we are all born and spend a lifetime forgetting is within us. She is protective and welcoming, and she clings to her heritage tenaciously, like a mother holds her baby to her breast defying any threat to approach. It may be the certainty of those traditions, and the foundation that certainty provides her populace, that keeps her citizens on an even keel in times of turbulence. This is a city that recognizes her role in American heritage, and her people sense somehow that they are her guardians. When Katrina and Rita left her almost deserted and seemingly destroyed, many outsiders said New Orleans must be relegated to history. She should be allowed to fade to a place in our collective memories, to be cherished only in photographs and stories. They said she was on her knees, not worth the effort to rebuild her. The locals were unwilling to accept this pronouncement, so they began to rebuild. They did not accept that their incomparable city of infamy, mystery and magic was done for. So, the people began to return.
Street Performers are everywhere |
Pat O'Brien's Courtyard |
Jazz Trio at Court of Two Sisters |
Coming soon PART TWO - the Food
Jackson Square |
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